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Privacy Policy


1. INTRODUCTION


The protection of personal data is a priority of Ágora – Cultura e Desporto do Porto, EM., S.A. (hereinafter referred to as Ágora). The adopted privacy and personal data protection policy clarifies which personal data are collected, for what purposes they are used, which principles guide the use of such data and the rights that their holders enjoy.

Ágora is a local company of a municipal nature, endowed with statutory, administrative and financial autonomy, incorporated on September 29, 2006 (then as Porto Lazer E.M.), whose share capital is fully owned by the Municipality of Porto, under the terms of the Legal of Local Business Activity and Local Participations.

Its corporate purpose is the promotion and development of culture, physical activity and sport, other entertainment activities in the City, as well as the promotion and development of brands associated with the City of Porto, in addition to activities determined by the management of the spaces and equipment that are under its management.


2. CONTEXT


This policy applies to all those who, in any way, have a relationship with Ágora.


3. RESPONSIBLE FOR DATA PROCESSING


As the person responsible for processing the data entrusted to it, Ágora:

– Ensures that the processing of personal data is carried out within the scope of the purposes for which they were collected or for purposes compatible with the initial purposes;

– Assumes the commitment to implement a data minimization culture in which it only collects, uses and conserves necessary personal data;

– Does not disclose or share personal data for commercial or advertising purposes.


4. HOW PERSONAL DATA ARE USED


Ágora uses the personal data provided in an application, communication, complaint, participation or on the website, to respond to requests received, as well as for statistical purposes, continuity of service and participation in events.

In addition, it collects the information provided by its interlocutors, such as comments, suggestions and criticisms/complaints, with a view to constant improvement.


5. PERSONAL DATA COLLECTED


The personal data collected depends on the context of interactions with Ágora, within the scope of its activity.

The data collected may include the following items:


Identification:


– Name

– Age

– Tax identification number

– Citizen Card/Identity Card Number

– Social Security number


Financial/Payment Data:


– Bank identification number


Institutional data:


– Institutional email


Contacts:


– Household

– Email address

– Phone/mobile number


Image:


– Image of security cameras


6. PERSONAL DATA OF MINORS


The personal data of minors, the collection and processing of which does not result from a legal basis or from the exercise of public interest/public authority functions, will only be collected and processed with the express consent of the holders of parental responsibilities or guardians. Holders of parental responsibilities or guardians have the prerogative to exercise their rights over the personal data of minors under similar conditions to those of data subjects.


7. COLLECTION AND PROCESSING OF SPECIAL DATA


Personal data may be of a more sensitive nature in certain situations, classified by the General Data Protection Regulation (GDPR) as "special categories of data", which include, among others, health data.

The processing associated with special categories of data deserves increased protection in the GDPR and is subject to specific technical and organizational safeguards. In this sense, the addition of documentation that incorporates special categories of data should only be carried out when such data appear as instructive or optional documents in the forms made available and advertised by Ágora.


8. REASONS WHY DATA IS SHARED


Ágora only shares personal data with third parties in the exercise of public interest/public authority functions, in strict compliance with legal obligations, or with the prior consent of the holder.


9. SECURITY OF PERSONAL DATA


Ágora uses a set of technologies, tools and security procedures, making the best efforts to protect personal data from unauthorized access, use or disclosure.


10. HOW TO ACCESS AND CONTROL PERSONAL DATA


Ágora allows, at the request of its holder, access, rectification, limitation of treatment and erasure of personal data. The data subject also has the right to object to the processing of his/her personal data.


If the use of personal data is based on consent, the data subject has the right to withdraw it, without compromising the validity of the data processing carried out until that moment.


Ágora's Data Protection Officer (dpo@agoraporto.pt) can always be contacted to clarify all questions related to the processing of personal data and exercise of rights as a holder of personal data.


11. RIGHTS OF THE DATA HOLDER


The data subject has the following rights:


Right to be informed – right to be informed, in a clear, simple and transparent way, about the processing of your personal data by Ágora.


Right of access – right to access personal data concerning you and which are processed by Ágora.


Right of rectification – if you find that Ágora has incorrect, incomplete or inaccurate personal data that you own, you have the right to request its correction or rectification.


Right of opposition – right to oppose the processing of data by Ágora. However, legal or public interest grounds may prevail over the right of opposition.


Right of limitation – right to request the limitation of the processing of your personal data by Ágora, to certain categories of data or purposes of treatment. However, legal or public interest grounds may prevail over this right.


Right to erasure of personal data or "right to be forgotten" – right to request the erasure of your personal data, if there are no legal grounds or public interest that justify the conservation of that personal data.


Right to withdraw consent – whenever the processing of your personal data is carried out on the basis of your consent, you have the right to ask Ágora to stop carrying out this treatment.


Right to portability – right to receive personal data concerning you, in a commonly used and machine-readable digital format, or to request the direct transmission of your data to another entity, but in this case only if technically possible.


12. PERSONAL DATA RETENTION


Ágora retains personal data for the necessary and reasonable period and within the scope of the purpose(s) for which they are collected.


Conservation periods may change significantly when archival purposes of public interest or historical, scientific or statistical reasons justify it, and Ágora is committed to adopting appropriate conservation and security measures.


In order to determine the appropriate retention period, Ágora takes into account the various deliberations of the European data protection control authorities, namely the CNPD, and the Archival Regulation for Local Authorities (Portaria nº 412/2001, of 17 April and 1253/2009, of October 14).

The data will be deleted as soon as they are no longer necessary for the defined purpose(s) or when consent is withdrawn.


13. COOKIES AND SIMILAR TECHNOLOGIES


Ágora uses cookies (small text files that a website, when visited by the user, places on their computer or mobile device through the internet browser) to provide online services, assist in data collection and save settings, taking into account to improve performance and user experience.



14. SOCIAL NETWORKS


Facebook

Instagram

Youtube

Linkedin


15. CONTACT INFORMATION


For more information about Ágora's privacy practices and personal data protection, you can send an email to: dpo@agoraporto.pt.


16. CHANGES TO THIS PRIVACY POLICY


This privacy and personal data protection policy will be updated regularly, whenever justified.


When changes to this policy are published, the respective update date will be changed at the same time.


It is recommended to periodically consult the privacy policy and protection of personal data to obtain information on how Ágora protects personal data and to update the information and rights of data subjects.


Suggestions for improvement can be made via email dpo@agoraporto.pt.


Last update date: May 11, 2022

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Portugal que Dança

AT HOME

20.04 — 30.04

Site & YouTube DDD


Free

Portugal que Dança


Portugal que Dançais a pioneer project: it is the first documentary series produced about Portuguese contemporary dance, giving visibility to the most recent generation of dance creators in Portugal.


Directed by Cristina Ferreira Gomes, written by Luiz Antunes and produced by Mares do Sul, Portugal que Dança follows the daily life of young creators, follows their creative construction routine, showing their works, their aspirations and the intersection with different artistic subjects.

Produced for RTP2, the series was supported by Teatro Municipal do Porto, Calouste Gulbenkian Foundation and GDA Foundation.


In 2021, within the partnership that unites DDD - Festival Dias da Dança and RTP2, we present seven episodes of this series. Seven episodes that focus on creators programmed, this year, by DDD. Keeping the international audience in mind, namely the foreign programmers, the episodes were subtitled in English and are available from 20th to 30th April on DDD's YouTube channel and on the artists' pages on the festival's website.


At the same time that, on stage or at home, we discover the most recent works by Jonas&Lander, Marco da Silva Ferreira, Catarina Miranda, Teresa Silva, São Castro and António M Cabrita, Cláudia Dias and Victor Hugo Pontes, watching Portugal que Dança allows us to dive into the recent past and to get to know the creative path of these creators.


EPISODE #1 - LANDER PATRICK AND JONAS LOPES

Lander Patrick and Jonas Lopes are preparing their new creation, Adorabilis. They are leaving for an artistic residency at Espaço do Tempo, in Montemor-o-Novo. The documentary follows the daily intense work routine of the duo of creators between rehearsals, costume fitting and preparation of the first public presentation. From the residency in Alentejo, we continue our journey until the eve of the piece's premiere in Lisbon. Throughout the documentary, we can verify the choreographic evolution, the transformation that the show goes through and also get to know the creative world of this duo of choreographers.


(Flashforward to 2021: Jonas&Lander premiere Bate Fado at the Grand Auditorium of Teatro Rivoli and on the Virtual Stage of BOL)


EPISODE #2 - MARCO DA SILVA FERREIRA

Filmed between Lisbon and Paris, the documentary follows the rehearsals of Brother: we see the intense coordination work of the group of dancers, the creative isolation, the transition from the rehearsal room to the stage and the premiere at the Teatro São Luiz, in Lisbon. We travel with the group to Paris where the choreographer will present the piece to the French audience in the cycle Chantiers d'Europe, organised by Thêatre de La Ville.

 

(Flashforward to 2021: Marco da Silva Ferreira joins director Jorge Jácome and premieres SIRI at Teatro Campo Alegre and on the Virtual Stage of BOL)



EPISODE #3 - CATARINA MIRANDA

In artistic residency, Catarina Miranda prepares Boca Muralha, the last part of a trilogy that we will get to know throughout the documentary. We see the evolution of the technical work, the importance of the costumes and set and we witness the creative persistence and rigour in the construction of the choreography. Besides following the rehearsals, we visit previous works and experts who talk about the creative world of the choreographer.


(Flashforward to 2021: Catarina Miranda premieres CABREQIMERA at Teatro Rivoli and on the Virtual Stage of BOL)


EPISODE #4 – TERESA SILVA

Rehearsal room, at O Espaço do Tempo, in Montemor-o-Novo, Portugal. Teresa Silva works on Nova Criação with Filipe Pereira. In the ambience of the old convent of Nossa Senhora da Saudação, we follow the choreographer's daily artistic residency. The creation dialogues, the construction of the concept, the attempts to define the first movements. We watch the work evolve until the day of the public presentation.


(Flashforward to 2021: Teresa Silva, with Sara Anjo, presents Oráculo in Serralves and an audiovisual object from that same piece on the Virtual Stage of BOL)


EPISODE #5 - SÃO CASTRO AND ANTÓNIO M CABRITA

This is a look at the elaboration process of the performance Rule of Thirds, by this duo of choreographers, artistic directors of Companhia Paulo Ribeiro, at Teatro Viriato, in Viseu. We witness the concerns, the daily effort and dedication put into the development of the creation. In a context of great proximity with the creators and the two dancers that accompany them, this episode goes through the questions in the search for a perfect work having as a starting point the work of Henri Cartier Bresson.


(Flashforward to 2021: São Castro and António M Cabrita present Last at Teatro Municipal de Matosinhos Constantino Nery and on the Virtual Stage of BOL)



EPISODE #6 – CLÁUDIA DIAS

In this film we experience the daily creation of Cláudia Dias and we follow her political engagement, from the International Workers' Day March to the International Women's Day, in a contextualization of her work with a strong activist and political slant. And, at the same time that the creation is consolidated, with the transition to the stage of the Teatro Maria Matos, in Lisbon, with the premiere and subsequent presentations, we revisit previous works, we film her social project with children from public schools and we listen to the reflections of experts on her work.


(Flashforward to 2021: Cláudia Dias presents Quinta-Feira: Abracadabra on the Virtual Stage of BOL)


EPISODE #7 – VICTOR HUGO PONTES

Rehearsal room at Teatro do Campo Alegre, in Porto, Victor Hugo Pontes tries to solve the evolution of the choreography of the next show. The dancers raise questions, the rehearsals take a long time, doubts arise. There is the incessant repetition of movements until exhaustion, the refinement of perfection. We watch the tremendous effort of creation, in a total artistic immersion. The team travels to Lisbon. The premiere is approaching, as is the tension and the need to adapt the choreography to the space of the stage. We witness the daily work: the movements, the light, the music, the set. And, in between, we visit previous works.


(Flashforward to 2021: the last creation by Victor Hugo Pontes,
Os Três Irmãos, is presented at Teatro Rivoli and on the Virtual Stage of BOL)

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