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Privacy Policy


1. INTRODUCTION


The protection of personal data is a priority of Ágora – Cultura e Desporto do Porto, EM., S.A. (hereinafter referred to as Ágora). The adopted privacy and personal data protection policy clarifies which personal data are collected, for what purposes they are used, which principles guide the use of such data and the rights that their holders enjoy.

Ágora is a local company of a municipal nature, endowed with statutory, administrative and financial autonomy, incorporated on September 29, 2006 (then as Porto Lazer E.M.), whose share capital is fully owned by the Municipality of Porto, under the terms of the Legal of Local Business Activity and Local Participations.

Its corporate purpose is the promotion and development of culture, physical activity and sport, other entertainment activities in the City, as well as the promotion and development of brands associated with the City of Porto, in addition to activities determined by the management of the spaces and equipment that are under its management.


2. CONTEXT


This policy applies to all those who, in any way, have a relationship with Ágora.


3. RESPONSIBLE FOR DATA PROCESSING


As the person responsible for processing the data entrusted to it, Ágora:

– Ensures that the processing of personal data is carried out within the scope of the purposes for which they were collected or for purposes compatible with the initial purposes;

– Assumes the commitment to implement a data minimization culture in which it only collects, uses and conserves necessary personal data;

– Does not disclose or share personal data for commercial or advertising purposes.


4. HOW PERSONAL DATA ARE USED


Ágora uses the personal data provided in an application, communication, complaint, participation or on the website, to respond to requests received, as well as for statistical purposes, continuity of service and participation in events.

In addition, it collects the information provided by its interlocutors, such as comments, suggestions and criticisms/complaints, with a view to constant improvement.


5. PERSONAL DATA COLLECTED


The personal data collected depends on the context of interactions with Ágora, within the scope of its activity.

The data collected may include the following items:


Identification:


– Name

– Age

– Tax identification number

– Citizen Card/Identity Card Number

– Social Security number


Financial/Payment Data:


– Bank identification number


Institutional data:


– Institutional email


Contacts:


– Household

– Email address

– Phone/mobile number


Image:


– Image of security cameras


6. PERSONAL DATA OF MINORS


The personal data of minors, the collection and processing of which does not result from a legal basis or from the exercise of public interest/public authority functions, will only be collected and processed with the express consent of the holders of parental responsibilities or guardians. Holders of parental responsibilities or guardians have the prerogative to exercise their rights over the personal data of minors under similar conditions to those of data subjects.


7. COLLECTION AND PROCESSING OF SPECIAL DATA


Personal data may be of a more sensitive nature in certain situations, classified by the General Data Protection Regulation (GDPR) as "special categories of data", which include, among others, health data.

The processing associated with special categories of data deserves increased protection in the GDPR and is subject to specific technical and organizational safeguards. In this sense, the addition of documentation that incorporates special categories of data should only be carried out when such data appear as instructive or optional documents in the forms made available and advertised by Ágora.


8. REASONS WHY DATA IS SHARED


Ágora only shares personal data with third parties in the exercise of public interest/public authority functions, in strict compliance with legal obligations, or with the prior consent of the holder.


9. SECURITY OF PERSONAL DATA


Ágora uses a set of technologies, tools and security procedures, making the best efforts to protect personal data from unauthorized access, use or disclosure.


10. HOW TO ACCESS AND CONTROL PERSONAL DATA


Ágora allows, at the request of its holder, access, rectification, limitation of treatment and erasure of personal data. The data subject also has the right to object to the processing of his/her personal data.


If the use of personal data is based on consent, the data subject has the right to withdraw it, without compromising the validity of the data processing carried out until that moment.


Ágora's Data Protection Officer (dpo@agoraporto.pt) can always be contacted to clarify all questions related to the processing of personal data and exercise of rights as a holder of personal data.


11. RIGHTS OF THE DATA HOLDER


The data subject has the following rights:


Right to be informed – right to be informed, in a clear, simple and transparent way, about the processing of your personal data by Ágora.


Right of access – right to access personal data concerning you and which are processed by Ágora.


Right of rectification – if you find that Ágora has incorrect, incomplete or inaccurate personal data that you own, you have the right to request its correction or rectification.


Right of opposition – right to oppose the processing of data by Ágora. However, legal or public interest grounds may prevail over the right of opposition.


Right of limitation – right to request the limitation of the processing of your personal data by Ágora, to certain categories of data or purposes of treatment. However, legal or public interest grounds may prevail over this right.


Right to erasure of personal data or "right to be forgotten" – right to request the erasure of your personal data, if there are no legal grounds or public interest that justify the conservation of that personal data.


Right to withdraw consent – whenever the processing of your personal data is carried out on the basis of your consent, you have the right to ask Ágora to stop carrying out this treatment.


Right to portability – right to receive personal data concerning you, in a commonly used and machine-readable digital format, or to request the direct transmission of your data to another entity, but in this case only if technically possible.


12. PERSONAL DATA RETENTION


Ágora retains personal data for the necessary and reasonable period and within the scope of the purpose(s) for which they are collected.


Conservation periods may change significantly when archival purposes of public interest or historical, scientific or statistical reasons justify it, and Ágora is committed to adopting appropriate conservation and security measures.


In order to determine the appropriate retention period, Ágora takes into account the various deliberations of the European data protection control authorities, namely the CNPD, and the Archival Regulation for Local Authorities (Portaria nº 412/2001, of 17 April and 1253/2009, of October 14).

The data will be deleted as soon as they are no longer necessary for the defined purpose(s) or when consent is withdrawn.


13. COOKIES AND SIMILAR TECHNOLOGIES


Ágora uses cookies (small text files that a website, when visited by the user, places on their computer or mobile device through the internet browser) to provide online services, assist in data collection and save settings, taking into account to improve performance and user experience.



14. SOCIAL NETWORKS


Facebook

Instagram

Youtube

Linkedin


15. CONTACT INFORMATION


For more information about Ágora's privacy practices and personal data protection, you can send an email to: dpo@agoraporto.pt.


16. CHANGES TO THIS PRIVACY POLICY


This privacy and personal data protection policy will be updated regularly, whenever justified.


When changes to this policy are published, the respective update date will be changed at the same time.


It is recommended to periodically consult the privacy policy and protection of personal data to obtain information on how Ágora protects personal data and to update the information and rights of data subjects.


Suggestions for improvement can be made via email dpo@agoraporto.pt.


Last update date: May 11, 2022

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PAPER LESS PAPER DRESS
Tue

 

02

.

05


2017

PARTILHAR:

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CATEGORY

PAPER LESS PAPER DRESS
José Caldeira

Mariana Santos Silva

— Atriz licenciada pela ESMAE. Aluna da Pós-Graduação em Dança —

Mariana Santos Silva

— Atriz licenciada pela ESMAE. Aluna da Pós-Graduação em Dança —

A atmosfera parisiense do espetáculo inicia-se ainda no período de espera no átrio do Coliseu. "Paper Less Paper Dress" é um espetáculo de formato intimista e apresenta-nos um espaço cénico altamente feminino, com um vestido / quimono branco em grande escala pendurado. Marianne surge com um dança elegante, feminina e com um toque clássico. Esta é uma dança-hino à alegria e aparece-nos como um manifesto. Marianne parte da ontologia da dança e desconstrói-a sem receios ou hesitações. A sua energia irradia um bem-estar e alegria de espírito contagiantes e a sua dança põe-nos em contacto com o povo indígena que há em cada um de nós. Os seus movimentos evocam verbos como desenhar, pintar e escrever, sensibilizando-nos para o estado de decadência do uso do papel e para a crescente preponderância dos suportes digitais.

Os passos cíclicos e ritualísticos são-nos transmitidos como que uma veneração à deusa mãe, à deusa da fertilidade. Uma artista repleta de presença e atitude, Marianne exibe uma figura larga, grande e com formas, que parece preencher todo o espaço e que, ao mesmo tempo, nos remete para o seu lado guerreiro e de rainha das amazonas. A projeção no vestido branco faz-nos ter noção da passagem do tempo e dos dias, apoiando essa ideia de ciclo da vida, em que o sol nasce, logo para se pôr e nascer outra vez, pois a terra gira sobre si própria e o sol por sua vez gira em torno da terra, sem nunca cessar.

De súbito, o solo transforma-se num dueto, com um espantalho, com um personagem masculino. "Paper Less Paper Dress" revela-se uma peça de dança altamente teatralizada, em que a performer vai adotando várias personagens desde a dançarina de cabaret, ao apresentador de circo, ao palhaço e ao bouffon. Marianne chega até a ser possuída por um vilão velho, corcunda e sarcástico, que se vai deixando corromper pelo lado animalesco e bestial, adotando o resfolegar, o respirar e o trotar do equídeo. A sua expressividade passa pelo corpo, pela face e ainda pelas palavras.

Podemos assumir que há duas pausas, dois choques com a realidade, que contrastam com os mundos oníricos propostos de selva, savana ou dunas: a primeira quando as luzes de plateia se acendem e a música finda para dar lugar ao circo, ao mundo do show business; a segunda prende-se com a quebra para beber água e trincar uma maçã, em que o espectador torna a ter consciência do espaço em que se encontra – sala 2 do Coliseu do Porto – um espaço feminino com um vestido branco gigante, com umas cortinas rosa-velho e uma sala com laivos do classicismo greco-romano.

A manipulação do papel de jornal faz-nos passar pelo meio de um vendaval, em que o vento sopra com mais ou menos intensidade, com momentos eufóricos contrastados com momentos de apaziguamento e calmaria. Procurando de forma criativa dar uma nova função ao papel, Marianne tenta transformá-lo em vestuário, em vestido de papel. A artista convoca o sentido da audição e corre pelo espaço com uma tela gigante, como que de uma locomotiva se tratasse. Esta cria o seu próprio enquadramento, para logo de seguida o desconstruir, cumprindo a vontade do espectador e rasgando pelos quadros numa corrida libertadora. Chegamos então a um momento pessoal e que faz sobressair o caráter intimista desta peça, um momento de partilha da sua vida privada e que encara a maternidade como uma experiência corporal.

O final deste solo é particularmente forte, evocando um erotismo e exotismo que remetem para o lado burlesco de Marianne, que com uma corpulência felina seduz o público numa pequena plataforma, como se pusesse o seu corpo à venda numa prateleira, numa vitrine, numa bandeja. A sua forma peculiar de combinar ideias, formas e materiais faz deste solo um espetáculo muito completo, que nos leva numa viagem / montanha russa emocional, onde confluem vários géneros de dança num só corpo. Marianne evoca um humor muito especial ao longo de toda a peça que nos faz rir com uma leveza refrescante, para no momento seguinte engolir esse sorriso e sentir calafrios que nos gelam os ossos. Resta-me agradecer este convite to take a walk on the wild side.

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