We continue to question the norm, its hierarchy and its logic. We forget what we are and what we are supposed to be. We suspend ourselves within an apocalyptic universe; we exist and resist in a kind of everyday perversity, a form of delirium that celebrates cruelty and violence, as we try to survive the sadistic pursuit of a logic that lies beyond our understanding of the body’s reconfiguration and resignification. Here, we question stereotypes and defy gravity, crossing lyricism and violence in an image that reveals bodies in constant confrontation with their limits and their boundlessness. In a landscape shaped by order and chaos, submission and revolt, Hornfuckers questions who we are, what is imposed upon us, and how the system that sustains us can also be a source of unpredictability and oppression. — Diana Niepce
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Credits
Artistic direction
Diana Niepce
Performed by
Ana de Oliveira e Silva, Baxi Ostrowski, Daniel Seabra, Inês Cóias, Izabel Nejur, Margarida Monteny, Marta Cardoso
Assistant director
Lucas Damiani, Batata
Movement support
Ana Sofia Leite
Dramaturgical support
Rui Catalão
External eye
Batata, Diana Anselmo, Maurícia Barreiro Neves, Silvana Ivaldi, Teresa Silva
Music
Gonçalo Alegria
Lighting design
Leticia Skrycky
Set design
Eric da Costa
Costume Design
Silvana Ivaldi
Production director
Joana Costa Santos
Rigging
Evil Angels Rigging
Technical director
Roger Madureira
A production by
As Niepce's, Culturgest
Co-produced by
DDD - Festival Dias da Dança, Un-Label, Europe Beyond Access (Culturgest, Skånes Dansteater, Project Arts Centre, CODA Oslo International Dance Festival, Holland Dance Festival, Kampnagel Hamburg, Mercat de les Flors - Casa de la Dansa, Onassis Stegi, Oriente Occidente Rovereto IT, and ZAMEK Culture Centre), co-financed by the European Union
Residency Co-production
O Espaço do Tempo, Teatro-Cine de Torres Vedras
Distribution
Culturgest, Something Great
Support
Portuguese Republic – Culture, Youth and Sport | DGARTES – Directorate-General for the Arts, Câmara Municipal de Lisboa – Polo Cultural das Gaivotas
Acknowledgements
Pedro Barreiro
Accessibility
