“Groundbreaking”, “intense”, “hypnotic”, “magisterial” and “visceral” are a few of the adjectives the show has reaped wherever it has been presented. It’s clear that La Chachi has earned her own place in this recent trend of breaking down and reassessing flamenco, following the path of other outsiders like El Niño de Elche, Israel Galván and Rocío Molina — who have already performed at the Teatro Municipal do Porto. This impossible scaling (judging by the title of the piece) is a challenge moving from mystical object to carnal struggle, seeking to find redemption in the other, sacred love of the profane without losing profundity — La Chachi

Co-presentation with Teatro Municipal Sá de Miranda (Viana do Castelo)