In "O que fazer daqui para trás" ("What to do from here backwards") João Fiadeiro explores time - duration, suspended time, time between - at the "same time" as he focuses his attention on what remains, on what has been forgotten, on the rest. The "rest" creates "emptiness". It is proof of the absence of a presence. Or better, it is the presence of an absence. It is in " the rest" that we will find the marks and traces with which to begin the impossible task of rebuilding the world, time and time again. The rest is also what exists between the body and "the presence of the other in the body", a permanent fugue towards things that do not yet exist, towards what things could be. What to do from here backwards positions itself between doubt and possibility. Where the unspoken is more important than what is said, where absence overlays presence and where drama comes not from the theatre but from what bodies - those of performers and spectators alike - can do (and hold and wear). Shadow shows us the presence of light, silence the presence of sound and absence the presence of what has happened. Shadow, silence and absence: that - for anyone who wonders - is what this piece is about.