In “Su8marino”, I look for deterritorialisation possibilities as a means to deconstruct paradoxes, regarding the paradigm of creation as the production of new forms of subjectivation.
How to construct an inter-subjective matrix of relationships between the understanding of artistic creation as territorial demarcation, as Deleuze refers, the deconstruction of (territorial) power by creating “lines of flight”, the production of new spaces, possible and alternative territories, the creation of new non-absolute semiotic configurations and the limit of language/words as transformation in continuous becoming? — Joana Castro
Joana Castro (1988, Porto) studied dance at Balleteatro Escola Profissional in 2006, attended the PEPCC (Study, Research and Choreography Programme) course at Fórum Dança in 2008, won a scholarship to the Núcleo de Experimentação Coreográfica in 2009 and in 2013 participated in the DanceWeb Scholarship Programme at the ImPulsTanz Festival in Vienna. She has collaborated and/or performed in pieces by Né Barros, Victor Hugo Pontes, Ana Borralho and João Galante, Flávio Rodrigues, Joana Providência, Joclécio Azevedo and others. Since 2009, she has worked on her own creations, some of which she has performed in Portugal, Belgium and Germany. She is currently taking a post-graduate course specialising in performance at the Faculdade de Belas Artes do Porto.
Concepção, criação coreográfica, cénica e interpretação Joana Castro •Música original Adriano Fontana e Joana Castro •Apoio ao figurino Jordann Santos •Desenho de luz Alexandre Vieira e Joana Castro •Texto e documentação Joana Castro e Telma João Santos •Assistência de ensaios Camila Neves •Aconselhamento artístico Vânia Rovisco •Residências e apoios na criação Conquering the Studio 2016: a time for research de Cristina P. Leitão, Lugar Instável, DeVIR/CAPa, Palácio do Sobralinho, Centro de Criação de Candoso - CCVF, Serviço de Emergências 2016 - Teatro de Ferro •Coprodução Teatro Municipal do Porto •Duração aprox.50min
24 ABR — 12 mAI 2019